Yanik Silver / A+ Pass
Draft 01April 19, 2026Internal
Internal Design Direction

The A+ pass.
One world class
concept per section.

A focused follow up to the B plus round. Each section below replaces two or three competing options with a single direction that feels unmistakably Yanik, and pairs it with the deeper rationale we will build against. This document is for the team first. Yanik sees it second.

SectionsSeven
DesignsOne per section
Sign offsThree variants
Open loopPhotography brief
00 / Purpose

What this is.

This is
An internal design direction document.
Its job is to align the team on the bet we are making for each section of the page. One concept per section, picked for how unmistakably Yanik it feels, backed by the rationale, references, and Yanik specific moves we will build against in Figma and in code.
This is not
A final comp or a client proof.
We are not asking Yanik to approve pixels. We are asking him to react to a direction and flag anything that feels off brand or off self. The visuals here are indicative, built fast in code so they feel alive instead of flat. Final production design follows approval.
How to read / 01
Read the intent first.
Each section opens with a single concept name and a short tag line. That is the bet.
How to read / 02
Check the rationale card.
Three fields, Why him, Why here, and What risks, capture the strategic logic.
How to read / 03
Skim the live mockup.
The render underneath is directional. Fidelity gaps are on purpose and called out where relevant.
00.1 / Open loop

Photography of Yanik.

The number one gap in the B plus round was that Who is Yanik felt underweight on portraits. Below is a proposed three mood set. One is already in hand. Two are net new and worth a real shoot. Flagging here so we can decide before build, not after.

Mood 01 / We have it
Cosmic Composite.
Yanik Silver cosmic composite portraitIn hand
The hero portrait. Stylized, signature, instantly readable as Yanik. This is the image everything else revolves around on the page.
Role
Page anchor, above fold
Quantity
One
Status
In hand, approved
Mood 02 / Gap
On stage. Unguarded.
Need from Yanik
02
On stage
Candid wide laugh, stage lights, hands mid gesture.
archive dig or half day shoot
A storytelling shot. Yanik in motion at a Maverick1000 gathering or keynote. The goal is to show the performer, not the portrait. Audience blur acceptable.
Role
Who is Yanik, middle column
Quantity
Three to six frames
Status
Needs shoot or archive dig
Mood 03 / Gap
Quiet. Mid doodle.
Need from Yanik
03
Mid doodle
At the desk. Pen in hand. Doodles, notebooks, a coffee. Morning light.
needs a half day shoot
The maker in his studio. Close crop of hands and page, plus a medium of him glancing up. Humanises him next to the manifesto and the gallery sections.
Role
Gallery lead in, Manifesto close
Quantity
Two to four frames
Status
Needs half day shoot
Decision requested. We can build Section 01 around Cosmic Composite alone if we have to. Strongly recommend we green light a half day shoot to capture Moods 02 and 03 before we lock the page. Without them the section will read static. Confidence in the current single portrait alone sits at 78. With the full set we climb to 94.
Photo gaps / shot list for Yanik

What we need from you.

3gaps open
  1. 01
    On stage. Wide and candid.
    A shot of you mid keynote or mid event. Laughing, arms gesturing, audience blur acceptable. Archive dig welcome if the right frame already exists.
    Target three to six frames/For Section 01/Drives Section 01 from 78 to 94
  2. 02
    Quiet. Mid doodle.
    You at your desk, pen in hand, doodles and notebooks in frame, soft morning light. Close crop of hands, plus a medium of you glancing up. This is the maker photo.
    Half day shoot/For Section 01 and Section 04 lead in
  3. 03
    Six lines of manifesto copy.
    Not a photo, but the same kind of gap. The six sentence vow in Section 02 is directional draft copy. We want the real six lines in your voice before we lock.
    One pass edit/For Section 02
Section 00 / Above the fold
Myth beat
The Sloth appears.
Pattern
Single frame hero
Source photo
Yanik in creature onesie, 2024

One frame. The whole myth.

The public site opens on a single breathtaking frame. Yanik already in the creature he draws on himself. A mandala the size of a planet floating behind him. The sleepy sun he calls his cosmic sloth watching from above. No product promise, no hero banner, no call to action. Just the man inside the myth.

A plus pick / Section 00

The Creature who wrote the myth.

Cutout of Yanik in the real creature suit from his archive, composited against a deep plum night field of one thousand suns, with the seeds and suns and blooms mandala from his left arm sitting behind him like a planet, and the cosmic sloth doodle floating as his guardian.
92
Confidence
yaniksilver.com
Yanik Silver inside the cosmic creature with the mandala of seeds, suns, blooms behind him and the cosmic sloth above
Yanik Silver / 1000 suns

Before you meet him,
read the story
he wears.

He does not have a bio. He has a myth. It is inked on both arms, painted on his face, and drawn on his skin in the shape of a mandala. Keep scrolling. You are already inside it.

Scroll into the myth
Above the fold
Full bleed single frame
Asset origin
Real photograph, real costume, real mandala, real doodle. Nothing generated from text.
Why him
Nobody in his peer set has this photograph. Other Maverick voices hit the page in a suit or on a stage. Yanik hits the page in a creature suit with a cosmic sloth on his shoulder. That alone is the positioning. The myth is not described. It is worn.
Why here
Above the fold is the thesis. Every section after this leans on the idea that Yanik is already living inside his own cosmology. Leading with him literally inside a creature, under a mandala tattoo made planet sized, makes the rest of the page feel like a continuation, not a pitch.
What risks
Costume read. If visitors land and think the onesie is a joke, the myth tone breaks. We counter with the dark plum night, the rim light treatment, the giant mandala, and the typography. The costume has to feel mythic, not silly. Fine tuning the composite is one production day.
Section 01 / The Guide
Myth beat
The Sloth wakes.
Pattern
The Open Journal
Photography
Three mood set, see 00.1

Meet your guide.

This is not an about section. It is a campfire introduction. Your guide opens his journal and says, they call me the Sloth. Portrait, handwriting, pinned photos, a ticket stub, a line he underlined. The reader reads over his shoulder and decides, on the strength of what they see, whether to keep walking with him.

A plus pick / Section 01

The Open Journal.

Portrait anchored spread with handwritten marginalia, polaroid stack, and a ticket stub. The guide's own notebook opened for the traveler. Everything on the page is in his hand.
95
Confidence
yaniksilver.com / who
a note he wrote in the margin ↘
Page one of many

I am a maverick,
a seeker, a sun one.

When I was twenty nine I took the red pill on the whole hustle myth. I sold my first internet company and discovered I had built a cage made out of money. So I tore it down and started drawing suns instead.

Since then I have run a community of 1000 entrepreneurs who feel the same itch. The ones who built the thing and got bored of it. The ones who know money is a measuring stick, not a meal. I call them Mavericks because the world kept calling us that anyway.

I draw suns because the sun is the only honest teacher I have found. It gives without accounting. It shows up without ego. It warms the whole field, and it has never once asked me for a pitch deck.

signed, Yanik
keep this one ↙
Yanik Silver cosmic composite In hand
cosmic composite, 2024
Need
02
On stage
from Yanik
Need
03
Mid doodle
from Yanik
Maverick1000 / 2015
First ticket.
Companies
Seven and counting
Mavericks
One thousand
Suns drawn
Too many to count
Why him
Yanik already journals in public. The doodles, Cosmic Journal, handwritten sun drawings are proof the format is native to him. We are not dressing him up. We are dressing the page down to meet how he already shows up.
Why here
Section 01 carries the heaviest lift. It has to translate a person, not a product. The journal spread gives us room for portrait, voice, and artifact at once, which is exactly what a bio section needs and what a stock about page loses.
What risks
Fidelity trap. If the handwritten marginalia, polaroid texture, and ticket stub do not look real, the whole thing collapses into theme. We commission actual scans, real pen, real photo edges. Budget one illustration day to get right.
Prologue / The Myth
Told by
The Guide
Voice
Fable, third person
Role
Spine of the whole deck

Before you meet him, read the story he wears.

Yanik has a myth. He did not find it in a book. He found it in his own journals, drew it for a decade, and then put the important parts on his skin. Four tattoos spell the whole thing out. Right arm, left arm, sun face, sacred mandala. Every section that follows is a scene inside this myth. This is the myth.

A plus pick / Prologue

How the Sloth brought the suns.

A five beat fable on warm paper, illustrated with Yanik's real doodles and the four tattoos he wears on his arms. Opens the page and sets the myth spine the rest of the sections hang on.
94
Confidence
yaniksilver.com / the myth
A story Yanik wears on his skin

How the Sloth
brought the suns.

Yanik tells it this way. A Galactic Sloth moved through the night sky carrying a thousand suns on his back. He was never in a hurry. Sloths never are. The important parts of this story are now tattooed on him, which is how you know he means it.

i.
Cosmic sloth doodle by Yanik
From his journal. 2019.
He walked the sky.
The Sloth carried the suns because no one else would. They were heavy. They were warm. He did not mind.
ii.
Sun face tattoo on Yanik's inner wristInner wrist / tattoo
Tattoo 01 of 04.
He wore the sun on his skin.
He did not want to put the sun down, so he traced one on the inside of his wrist. Now the first light every morning is the one he is carrying.
iii.
Doodle of a thousand suns scattering into a field
From his journal. 2021.
He shook the suns loose.
A thousand of them. They fell slow and they fell bright. He watched them land on the dark earth the way a farmer watches seeds.
iv.
Seeds, suns, and blooms mandala tattoo on Yanik's left armLeft arm / tattoo
Tattoo 02 of 04.
Every sun became a bloom.
The field grew up to meet the light. Every bloom a little different, every one on purpose. He had the whole cycle, seed, sun, bloom, inked around his left arm so he would not forget what the math was for.
v.
Cosmic sloth tattoo on Yanik's right armRight arm / tattoo
Tattoo 03 of 04.
Then he sat down to watch.
The Sloth sat down in the field. He had the whole shape etched on his right arm the year he decided to stop rushing. And the people came. And the game began. An infinite one. Built not to win, but to play.

That is the story he was given. He is the Sloth in it. Everything else on this page is the field.

signed, y. silver
Why him
The myth lives on his body. Four tattoos. A decade of journals. The Cosmic Sloth, the seeds to suns to blooms cycle, the sun face, the sacred mandala. Building the page on his own drawings and his own ink means we are not asking him to play a part.
Why here
Turns the whole page into a parable. Every section after this becomes a scene inside the myth instead of a separate topic. The manifesto is the suns. The gallery is the blooms. The orbit is the people who came to watch.
What risks
Source truth. If Yanik has a specific teacher, tribe, or tradition he credits for the myth, we add a proper acknowledgement line before we ship. Until then we show it as his own cosmology, drawn by him and carried by him, which is what the tattoos prove.
Section 02 / The Thousand Suns
Myth beat
The suns are scattered.
Pattern
The Luminous Vow
Length
Six sentences, no more

Read the suns he left you.

The manifesto is not copy. It is the thousand suns. Each sentence is one of them, shaken loose from the Sloth's back and laid down on warm paper. The page goes quiet around it. His hand signs it at the bottom. The reader lowers their voice the way you do when someone hands you something warm.

A plus pick / Section 02

The Luminous Vow.

Centered vow on warm paper, underlined in his hand, a field of rising suns behind the text. Each sentence reads like a sun he laid at your feet. More prayer card than block of copy.
96
Confidence
yaniksilver.com / manifesto
A vow in six lines

I am not here to sell you
a better version of what hurt.

I am here to remind you that the sun has always been free, that your work is allowed to be joyful, and that money is a byproduct of how brightly you burn.

I am here to draw with you. I am here to build with you. I am here to warm the field until more of us show up and warm it back.

If any of this quietly rings true, you are already one of us. You have always been.

y. silver
1000 suns / one field
Why him
Yanik signs everything. Journals, drawings, emails to the community. Treating the manifesto as a signed vow, not a pitch, matches how he actually publishes. The field of suns behind it is his ink literally rising.
Why here
Manifestos die when they get loud. Most founder manifestos over sell. Yanik earns trust by doing the opposite. A centered, slow, six line vow respects the reader's intelligence and leaves silence around the words.
What risks
Copy is the make or break. The design here is a frame, the words are the painting. The live copy is a directional draft. Yanik should write or approve the final six lines in his own hand before we lock.
Section 03 / The Brightest Suns
Myth beat
The brightest ones shine back.
Pattern
The Card Drawer
Device
Handwritten membership cards, real names

Meet the brightest suns he has lit.

Of the thousand suns the Sloth scattered, a few burn bright enough to name. A knighted British billionaire. A man who turned abundance into a verb. A connector who gathered the curious in a room. A teacher of quiet mornings. These are the brightest suns in the field. The rest, hundreds more, are filed in the drawer below.

A plus pick / Section 03

The Card Drawer.

Archival cards on a wooden drawer shelf. Each card a sun in the field, real names, real companies, written by hand. Branson anchors the first card. The rest are a curated flex that still reads like a library.
94
Confidence
yaniksilver.com / orbit
Drawer 07 / the brightest ones

The brightest suns.
Named, filed, still burning.

Four suns at the top of the drawer burn bright enough that you know them by sight. A British billionaire. A man who built abundance into a verb. A connector who gathered the curious in a room. A teacher of quiet mornings. The rest are filed below, mostly unknown to the public and known very well to him.

1000 + Cards in file
since 2007
Seeds, suns, and blooms mandala tattoo on Yanik's left arm, the pattern for the orbit
Left arm / tattoo
The shape of the orbit.
The drawer is not a metaphor Yanik stretched to fit the deck. It is the shape he had inked around his left arm. Seed in the middle, suns in the ring, blooms on the outside. Every card in the drawer below is one step in that cycle, holding a name.
the orbit
Members, current
Inner circle
The brightest four pulled from the top of the drawer.
One confirmed public anchor. Three suggested placeholders from the known public orbit. Yanik approves or swaps before we ship.
Confirmed
RB
photo placeholder
M 0042 / Inner circle
Richard Branson.
Virgin Group / Necker Island
"the knight with the leopard sleeves"
Publicly associated with Yanik through Maverick1000 at Necker
Suggested / confirm
PD
photo placeholder
M 0088 / Inner circle
Peter Diamandis.
XPRIZE / Singularity University
"abundance as a practice"
Placeholder, publicly adjacent to the Maverick orbit. Confirm or swap.
Suggested / confirm
JP
photo placeholder
M 0117 / Inner circle
Joe Polish.
Genius Network / I Love Marketing
"connector of the curious"
Placeholder, publicly adjacent Maverick associate. Confirm or swap.
Suggested / confirm
HE
photo placeholder
M 0156 / Inner circle
Hal Elrod.
The Miracle Morning / Maverick1000
"wake on purpose, every time"
Placeholder, known Maverick1000 associate. Confirm or swap.
Ask from Yanik Confirm or swap three of the four placeholder names above, and approve the Branson card as the public anchor. Add one to two additional heavy hitters from the private drawer if the page needs more weight.
M 0042
Richard.
Virgin Group
☀
leopard prints and long games
VIP
M 0088
Sara.
Spanx
✿
red lipstick, iron spine
M
M 0117
Blake.
Toms
☯
gave a shoe, meant it
M
M 0156
Peter.
Maui Jim
☀
shades on, ego off
M
M 0203
Tony.
Of Note
⚙
wholesaler of wonder
M
M 0277
Tom.
Of Many Hats
♨
he wears them all
M
M 0312
Cameron.
Old School
♔
built it, then rebuilt it
M
M 0388
Jenna.
Soul Cycle
★
sweat as sacrament
M
M 0421
Marcus.
Thrive
☁
writes until it hurts
M
M 0455
Gabrielle.
Soho
❤
hospitality as art form
M
M 0501
Jesse.
Ben and Jerrys
⛱
scoops and social good
M
M 0999
You.
Right here
∞
your card is empty on purpose
+
Filed alphabetically / cross referenced by sun colour twelve shown / hundreds behind
Why him
Yanik curates, he does not collect. Maverick1000 is a filtered room, not a public directory. The card drawer pattern honours that. It says, these names are in a file, and the file is in a drawer, and the drawer lives here.
Why here
A logo bar does the exact opposite of what this section needs. We are not bragging. We are inviting. The card device keeps the reader on their feet by ending with a blank card that says YOU.
What risks
Name use rights. Live names on the site need explicit permission from each member. Acceptable interim, swap last names to initials and keep the first names on Yanik's approval list only. Empty YOU card stays either way.
Section 04 / The Infinite Game
Myth beat
The game begins.
Pattern
The Player Map
Device
Seven by three board, YOU ARE HERE

The guide hands you your piece.

The Sloth sat down and the game began. Not a game you win. A game you keep playing on purpose. On this page your guide draws you the board. Seven tiles, archetype symbols, sun colored spaces, and a glowing purple tile that says YOU ARE HERE. You recognise yourself as a player before you read a word of explanation. That is the point.

A plus pick / Section 04

The Player Map.

Cosmic board with numbered tiles, archetype symbols, and a lit purple YOU ARE HERE marker. The guide draws the map, hands the reader a piece, and names the rules of the infinite game.
97
Confidence
yaniksilver.com / game
Book three, chapter one

The Galactic Game.
You are already playing.

An illuminated map of a life lived as a game. Each tile is a move. Each symbol is a choice. The only rule is that you keep making the next one on purpose.

Legend
Start
Sun tile
You are here
Ally space
01
☀
birth
02
☯
awakening
03
★
maker
04
❤
ally
05
⚒
trade
06
☀
first sun
07
⛱
rest
14
⚙
builder
13
☠
cage
12
♨
escape
11
✲
you are here
that is you
10
☀
calling
09
♥
ally
08
☘
offering
15
⚒
mentor
16
☀
field
17
♿
choice
18
⚑
quest
19
♦
ally
20
☀
1000 suns
21
∞
next
Archetype / 01
The Maker.
builds the thing nobody asked for
Archetype / 02
The Pilgrim.
walks toward the signal
Archetype / 03
The Ally.
warms the field beside you
Archetype / 04
The Elder.
points at the exit you missed
Why him
Yanik literally shipped a board game called the Galactic Game. This is not a metaphor we borrowed. This is his IP shown as itself. The legend, tiles, and archetypes all come from his existing symbol vocabulary.
Why here
Section 03 is the category shifter. It is where we move from Yanik the person to Yanik the worldview. The game frame lets the reader stand inside the idea instead of reading about it, which is how Yanik actually teaches it.
What risks
Cute vs mythic. A board can read as gamified or toyish if the illustration is off. We lean on serif italics, cosmic gradient, and real symbol glyphs to hold the tone up. No cartoon dice. No emoji pieces.
Section 05 / The Field of Blooms
Myth beat
The blooms rise up.
Pattern
The Studio Wall
Device
Cork pinboard, masking tape captions

Walk through his field.

Where each sun landed, a bloom rose. The blooms are the doodles. They are not decoration and they are not assets. They are what grew when he let the suns touch the earth. We do not hang them in a polished grid. We pin them up in the guide's studio, label them in his handwriting on torn masking tape, let them overlap, and leave a coffee ring next to one. The reader walks in while he is still drawing.

A plus pick / Section 05

The Studio Wall.

Cork pinboard of blooms. Doodles scanned at hi res, pinned on the page, captioned in the guide's handwriting on torn masking tape. Overlap and tilt on purpose. The field, hung on a wall.
98
Confidence
yaniksilver.com / doodles
Studio, south wall, third shelf

The doodles.
Collected, never framed.

Every sun on this wall started as a two minute sketch in the margin of a notebook. He keeps drawing them because they keep showing up.

Four hundred plus Doodles archived
since 2012
f.o.s. 01
Field of Suns doodle
field of suns
Nudge the system doodle
nudge the system
arch 04
The four archetypes doodle
the four who show up
Every ray counts doodle
every ray counts
xmas 24
Christmas suns doodle
december suns
Visionary card doodle
visionary card
hot
Wanted, a maverick doodle
wanted, a maverick
Sun o meter doodle
measure your light
Infinite blooms doodle
infinite blooms
06
Six ways to light up doodle
six ways to light up
THE INDEXforty three public, hundreds hidden, ask him nicely
Why him
The doodles are his most beloved output. User called this section out explicitly as a keeper. Honouring that means resisting the instinct to gridify or to turn them into icons. They earn their weirdness.
Why here
Section 04 gives the page its breath. After the manifesto and the game, the reader needs a room to wander in. The studio wall is that room. It rewards scrolling without demanding another idea.
What risks
Clutter as theme vs clutter as truth. If we fake the mess it reads as decorated. Production note, ship from real high res scans of the actual sheets Yanik drew on. Keep the paper edges. Keep the ink smudges.
Section 06 / Your Invitation
Myth beat
The guide hands you a seat.
Pattern
The Cosmic Ticket
Device
Paper ticket, tear line, stub

Take the ticket.

The Sloth watches the field fill up. Then he turns to you, the traveler who has walked this far through the story, and he hands you a warm paper ticket with your name in the Name field. The ticket is not a CTA. It is a seat. Founder pages beg. Your guide does not beg. He has something to give, and he gives it.

A plus pick / Section 06

The Cosmic Ticket.

A single warm paper ticket on a cosmic stage. The guide's hand fills in the Name field. Stub has a serial number and a sun colour. The reader pulls the stub and the myth welcomes them in.
96
Confidence
yaniksilver.com / invitation
the room is already warm ↘
Admit one / non transferable / paid in presence

You are invited to the
next chapter.

No pitch, no funnel, no webinar. A list. A letter. A quiet door you walk through when the work calls for it. If this page pulled you, you are already on the other side.

Bearer__________
Seatcircle, row one
Datewhen you are ready
Sun colouryours to pick
Take the ☀ seat →
☀
N° 1000
Seat held
keep this half / y. silver
Why him
Yanik gatekeeps kindly. Maverick1000 is invitation only. Treating the CTA as a ticket reinforces that social truth. It is also a nod to the vintage event and circus ephemera he already collects in his journals.
Why here
Section 06 is where the reader decides to stay. Buttons feel transactional. A ticket feels personal. And the ticket has a quiet trick, the name field is blank, which invites the reader to write themselves into it before they click.
What risks
Ticket as gimmick. If we go too costume party it cheapens. Tell here is paper grain, soft shadow, printed serial, real tear line pattern. No confetti. No sparkle animation. The ticket stays slightly tilted, nothing more.
Section 07 / Three Blessings
Myth beat
The guide says goodbye.
Pattern
Three blessings for the road
Decision
Yanik picks one live

Three blessings for the road.

Before the traveler leaves the field, the guide gives a blessing. Aho is retired. In its place, three sign offs drawn from Yanik's own tongue. One about blooms. One about the sloth. One about the sun. Each is already true in his mouth. He reads them aloud and picks the one that sits lowest in his chest. That is the one we ship.

A plus pick / Section 07

Three blessings. One page.

A mini matrix inside the footer. Each option is a fully rendered blessing in its own voice. The guide reads them aloud, picks one, and the footer locks around his pick.
89
Confidence
yaniksilver.com / footer
Pick one of three

How do we say goodbye?

Three closing lines, each drawn from something you already say. Lean into whichever one you want on your tombstone, metaphorically speaking. We lock the footer around your pick.

NoteAho is out. Do not resurrect it even as a backup. This is a green field rebuild.
Option A / The FloristSoft, inviting
Play with infinite blooms.
✿
Play with infinite blooms.
signed, y. silver
Why this one
Quietest of the three. Invites the reader into the next thing instead of closing. Matches the doodle series of the same name. Reads like a permission slip.
Warm, open ended92 confidence
Option B / The SlothPlayful, a wink
With love, light, and the occasional nap.
☺
With love, light, and the occasional nap.
signed, y. silver & the cosmic sloth
Why this one
The Cosmic Sloth already lives in the brand. This is the sign off that makes him smile, which is the same reaction he wants from a new reader at the bottom of the page.
Warm, playful88 confidence
Option C / The Sun OneDirect, luminous
Sun one. You.
☀
Sun one. You.
signed, y. silver
Why this one
Shortest, hardest hitting. A compressed version of the 1000 Suns thesis pointed straight at the reader. Works as a sign off and as a t shirt, which is probably the test.
Tight, talismanic86 confidence
☀ yanik silver maverick1000, cosmic journal, 1000 suns
No newsletter
No funnel
Just the door.
Why him
He told us Aho is a no go. Every one of these three is pulled from language that is already his. No invented sign offs. No borrowed ones. He should feel like he is choosing between three true statements.
Why here
The footer is the last thing the reader reads. We owe it more than boilerplate. A mini matrix lets us ship the page without pre deciding the final voice, and gives Yanik a real stake in the close instead of a rubber stamp.
What risks
He dislikes all three. Acceptable. If none land, the matrix itself becomes the brief for a writer working in his voice. This is on purpose. We would rather ship a real sign off than a safe one.
Closing note

What we need next.

01 / Photography
Green light a half day Yanik shoot.
Moods 02 and 03 unlock Section 01. Without them we ship at 78 confidence on that section.
02 / Doodle scans
Source the raw doodle files.
Section 04 Studio Wall lives or dies on real scans. No redraws. No icon versions.
03 / Manifesto copy
Six lines from Yanik in his hand.
Section 02 needs his voice, not ours. Directional copy in the mock will be replaced.
04 / Sign off pick
One of three, or a fourth.
Section 07 stays provisional until Yanik picks. A fourth alternate from him is always welcome.